As we continue our journey through the Sacred Polyphony of the 16th century, we come to Cipriano de Rore’s, O Altitudo divitoiarum, the Antiphon drawn from Saint Paul’s Letter to the Romans, chapter 11:33-36.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our journey through the Sacred Polyphony of the 16th century, we come to Cipriano de Rore’s, Ave Regina caelorum, the Marian Antiphon for the Christmas Season from Dec. 24 to Feb. 2.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
As we continue our journey through the Sacred Polyphony of the 16th century, we come to Cipriano de Rore, a Flemish composer who accompanied his countryman, Margaret of Parma to Naples, on the occasion of her wedding to a scion of the House of Medici. He remained in Italy and became an admirer and imitator of both the styles of Josquin des Pres and Adrian Willaert.
In this piece, Missa Praeter rerum seriem, Cipriano takes the Christmas Mass of Josquin by the same name, written for 6 voices, replaces a tenor with a soprano and adds a seventh voice.
FromRome.Info features at 5 P.M. daily, Rome time, a selection of sacred music for the edification of our readers, so that they can better grasp how contrary to the very nature of Catholic liturgy were the so called “reforms” of Vatican II.
Today, as we peruse the sacred repertoire of Obrecht, we feature the Tallis Scholar’s performance of the Gloria from Jacob’s Missa Maria Zart.
Every evening at 5. P. M., Rome time, FromRome.Info features a selection of sacred music from Catholic composers of fame in past ages, to edify our readers and help them understand how profoundly contrary to the right notion of the aesthetic the liturgical reforms of Vatican II are and have been.